From Layoff to London: Exhibiting at the Women in Art Biennale
This year, I had the incredible honor of being invited to the Women in Art London Biennale, hosted by Artio Gallery at the historic Chelsea Old Town Hall. The Biennale is more than just an exhibition—it’s a movement. Curated by the brilliant Bisa Bennett, this five-day event gathered together 150 women artists from 50 countries, uniting diverse voices under one roof in the heart of West London.
Exhibiting My Work for the First Time
For me, this Biennale carried an extra layer of meaning: it was my very first time attending an exhibition in person where my own work was on display. Seeing my three pieces—“Neon Peonies,” “Neon Depths,” and “Wooly Mammoth”—hanging alongside the work of so many remarkable women was both thrilling and, honestly, a little overwhelming.
I still remember walking into the hall, my heart racing, and catching sight of “Neon Peonies” lit under the gallery lights. For a moment, I just stood still, taking it all in. It was surreal—like stepping into a dream I’d imagined for years. To see people stop, lean in, and spend time with my work left me both proud and humbled in ways I’ll never forget.
A Global Celebration of Women in Art
The Biennale felt like stepping into a tapestry woven with stories, perspectives, and cultures from across the globe. Each piece—whether painting, sculpture, installation, or digital work—carried with it not just artistic skill, but lived experience. It was a powerful reminder that creativity knows no borders, and that women’s voices in art continue to shape conversations far beyond the gallery walls.
As Bisa Bennett shared: “Our upcoming Women in Art London Biennale is particularly thrilling, as it provides a platform for female artists to gain global recognition and reach audiences from diverse backgrounds. One thing they all have in common is their passion for art and self-expression.”
The Venue: Chelsea Old Town Hall
The setting alone was breathtaking. Chelsea Old Town Hall, with its Victorian architecture, marble floors, granite-columned entrance, and ornate ceilings, made the perfect backdrop. Every corner of the space felt timeless and elegant, amplifying the artistry on display. The venue itself seemed to nod in quiet reverence to the creative energy filling its halls.
The Atmosphere
Over the course of the Biennale, thousands of art lovers, collectors, interior designers, and curators filled the rooms, creating a vibrant mix of perspectives and conversations. It was more than an art show—it was a community, an exchange of ideas, and a collective celebration of female creativity.
One of the highlights was the awards presentation, which underscored the Biennale’s mission: to elevate women’s contributions in art and spotlight their global impact. Sitting in the audience, I felt a wave of gratitude—not only for being included, but for being part of something so much bigger than myself.
Gratitude and Growth
I feel deeply honored to have been chosen to be part of this exhibition and this community of incredibly talented women. To have my work recognized alongside theirs is a gift I’ll carry with me.
I’m equally grateful for the opportunity to grow my network with such passionate creatives and the hardworking individuals at Artio Gallery who made this event possible. The Biennale wasn’t just about exhibiting—it was about connecting, learning, and celebrating together.
As I left Chelsea Old Town Hall on that final evening, I caught myself smiling—exhausted, inspired, and already dreaming of what’s next.
Final Reflections
The 2025 Women in Art London Biennale was unforgettable: a beacon of empowerment, creativity, and unity through art. I am beyond thankful to have had my work included, and I look forward to carrying this experience forward into the next chapter of my artistic journey.